Dokumentation einer Unterrichtseinheit in der Kursstufe
Gerhard Hauptmann: Die Ratten
Mit dabei sind zudem unter anderem Penélope Cruz, Willem Dafoe, Judi Dench, Johnny Depp, Michelle Pfeiffer und Daisy Ridley
Agatha Christie hat berühmte Figuren wie Miss Marple und Hercule Poirot erschaffen. Aber auch ihr eigenes Leben hatte einiges an Dramatik zu bieten.
Shakespeare "doth bestride the narrow world" of the English Renaissance "like a colossus," leaving his contemporaries "walk under his large legs and peep about" to find themselves in "dishonourable graves." This course aims in part to correct this grave injustice by surveying the extraordinary output of playwrights whose names have largely been eclipsed by their more luminous compatriot: Marlowe, Jonson, Webster, and Ford, among others. Reading Shakespeare as just one of a group of practitioners -- many of whom were more popular than him during and even after his remarkable career -- will restore, I hope, a sense not just of the richness of English Renaissance drama, but also that of the historical and cultural moment of the English Renaissance itself. This course will examine the relationship between theatre and society through the lens of the drama produced in response to these changes. However, we will not try to map the progress of drama directly onto the social world, as if the former can simply read off the latter. Rather, focusing on discrete issues and problems, we will try to understand the ways in which a particular text not only reflects but responds to and shapes aspects of the culture from which it derives, developing an aesthetic that actively engages its world. The topics addressed over the course of the semester will be wide-ranging but will include: gender and class dynamics in Renaissance society; money, trade, and colonialism; the body as metaphor and theatrical "object"; allegory and aesthetic form; theatricality and meta-theatricality; the private and the public.
Neue Sicht auf Georg Büchners Woyzeck-Fragment mit genauer "Mikroanalyse" (Prof. Lehmann, Bonn) der Symbole, Metaphern und Allegorien (Märchenparabel)